The Palatium (see above) has been compared to the apse mosaic of the.The Classe mosaic (see above) was also altered.
The Basilica of Saint’Apollinare Nuovo – not to be confused with Saint’Apollinare in Classe – is in the heart of the old town of Ravenna, it is located in via di Roma and it is one of tourists’ favourite monuments. The Baroque apse that we see today was constructed in the sixteenth century and, in my honest opinion, does not match well with the rest of the church. Some historians have speculated that the figure may have originally been Theoderic, who was subsequently altered to represent Justinianus. So the garden of Eden becomes paradise. Ours is a seventh century work, but of poor quality, probably due to the multiple restorations it has suffered over the centuries.Although its immediate purpose is to act as a sort of witness to a legal contract, reminding future emperors of the Ravenna bishops’ rights, it also fits very well into our priestly king theme. Here in our mosaic we see a garden made according to this same divine pattern of a perfect imperfection, with a dynamic and not mechanical symmetry.In God’s plan this royal and crafting role is inextricably tied to our priestly role, since in the Eucharist we offer not wheat and grapes, but bread and wine, which are the fruit of human labour. Basilica di Sant Apollinare Nuovo. This haloed saint stands in the midst of the garden, with his hands raised in prayer.Above him is a great golden cross set within in an orb of star speckled blue. By association they also set everyone who worships in the basilica within the fellowship of all believers, past, present and future. But when God made the starry lights for the night He varied their size, spacing and colour, and this soothes the soul. This emphasizes the priestly significance of his offering.Melchizedek’s garment is identical to those worn by high priests Aaron in the third century fresco at Dura-Europos and Caiaphas in the sixth century mosaic in nearby Sant’Apollinare Nuovo. They delight the beholder immediately but at the same time possess layer upon layer of meaning, which reveal themselves only to the patient. God created the world in six days, and rested on the seventh.
In Aramaic it explicitly refers to a royal park.Finally, paradise came to be equated with Eden through the Septuagint translation of the Hebrew Bible into Greek. They were executed in the time of Theodoric.The row below contains large mosaics in Byzantine style, lacking any individuality, having all identical expressions.
The female saints are all carrying crowns to the Madonna and Child. Mosaic of a Ravennate italian-byzantine workshop, completed within 526 AD by the so-called “Master of Sant’Apollinare”. In fact, it is one of only two churches in Italy of which the original wall mosaics have been preserved over the centuries, the other being the Santa Maria Maggiore in Rome.
It was erected by Ostrogoth King Theodoric the Great as his palace chapel during the first quarter of the 6th century (as attested to in the Liber Pontificalis). Luke tells us that eight days before His Transfiguration (Matthew and Mark say six), Christ spoke to His disciples of His Second Coming, saying that He would come in His glory and in the glory of the Father and of the holy angels.In the Gospel of Matthew Christ tells us that at His coming again “there will appear the sign of the Son of Man in heaven” (Matthew 24:30). History. She was quite capable – and may have donated the,The mosaic was restored by Felice Kibel in 1863, and it was Kibel who added the label IVSTINIAN.
A divine hand reaches down from the summit of the semi-dome. In the centre is Christ in a medallion. One reason is suggested by an Orthodox liturgical text: He wanted not only to display His divinity, but also to show us what it is to be fully human:(The Feast of the Transfiguration, Great Vespers, Aposticha).Some of the Church Fathers say that Adam and Eve were in fact clothed with light before the fall, and only became naked when they turned from God’s ways.
They are all haloed and are carrying scrolls or codices, either opened or closed. Of much greater significance, however, are the sumptuous mosaics that cover the walls of the nave. But we shall come to these later.What does all this imagery mean? Before this apse the faithful participate in the divine feast and are themselves transfigured into the body of Christ. But there it is: Saint’Apollinare Nuovo is hiding (so difficult to be seen by tourists without asking for directions), it moves behind a flowerbed but, to those who succeed in finding it, to those who walk through the door, it will show its real soul, as a chest which holds precious gems and gold.The Basilica of Saint’Apollinare Nuovo – not to be confused with Saint’Apollinare in Classe – is in the heart of the old town of Ravenna, it is located in via di Roma and it is one of tourists’ favourite monuments. Sant'Apollinare in Classe was consecrated on 9 May 549 by Bishop Maximian and dedicated to Saint Apollinaris, ... the relics of Saint Apollinaris were transferred from the Basilica of Sant'Apollinare in Classe to the Basilica of Sant' Apollinare Nuovo in Ravenna. The ultimate purpose of Christ’s incarnation is our deification, our union with Him. This is the same principle He applies when He tells the disciples that He must depart this world so that He can send them the Holy Spirit.
So in our mosaic we see trees, rocks and sheep surrounded by an aura of either yellow or rich green tesserae.
The “Nuovo” was added to the name in order to distinguish it from another older church dedicated to St Apollinaris, Sant Apollinare “in veclo” which has come down to us today in a restored17 th century baroque style.
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