Studio Collection . Ted Larsen’s work is created with minimalist ideas to explore the nature of materiality. It is my ongoing experimentation with contexts, hybrids, and scale. But such a logical order has no specific place in my studio practice. How do you move freely, when there’s an expectation for something to be a certain way? Feb 22, 2017 - Sculptor painter Ted Larsen in his tidy studio. When I was young, as an athlete, failure is not something that you’re encouraged to have. Public Broadcasting Service (PBS) produced an interview with Larsen.Ted Larsen is included in the collections of The New Mexico Museum of Art, The New Mexico Department of Cultural Affairs, The Edward F. Albee Foundation, Proctor & Gamble, The Bolivian Consulate, Reader's Digest, PepsiCo, The University of Miami, The University of Texas, Krasel Art Center, Dreyfus Funds, JP Morgan Chase, Forbes, Lannan Foundation, and Pioneer Hi-Bred, Inc.
1964, USA) is an internationally exhibiting artist and Pollock-Krasner Foundation recipient with a BA from Northern Arizona University.
I have a one-on-one relationship with them, but they don’t have a one-on-one relationship with me. It’s about commerce for galleries. Ted Larsen's work has been exhibited widely in museums in the US, including the New Mexico Museum of Art in Santa Fe, The Albuquerque Museum, The Amarillo Museum of Art, The Spiva Center for the Arts in Joplin, Missouri, and the Philadelphia Museum of Art as well as in over eighty gallery exhibitions. If they’re not willing to take on that mandate, then they have no business working with me or anybody else.I’ve learned way more, on every level, in every possible way, when I’ve made mistakes in my life than I’ve ever learned from my successes.I have a very small group of people who I trust as second eyes, as people who can speak truth to me, who can come into my studio without bringing their own agendas. Since 2001, Larsen has used alternative and salvage materials in his studio exercises. It’s hard to risk doing something poorly when you’ve come from doing something well. Since 2001, Larsen has used alternative and salvage materials in his studio exercises. I was only willing to walk away from it because of a core dissatisfaction… and a willingness to do anything to not experience that [anymore].I was about thirty-five when I started exploring that sense of dissatisfaction. Things that are kind of funky and rickety and cobbled together and provisional, that are provocative, are more interesting. There’s an existential risk to making work. It’s hard to find true dialogue. It’s important for me to be critical of my work but not critical [in life]. His use of re-purposed “non-art” materials forms the basis for a constantly new kind of ready-made. But such a logical order has no specific place in my studio practice. You can misstep, and I have misstepped. Larsen's work appears in the books Art On The Edge, Biennial Southwest, The Curtain of Trees, New American Paintings, and Millennium Collection. Since 2001, Larsen has used alternative and salvage materials in his studio exercises.Ted Larsen's work has been exhibited widely in private foundations and museums in the US, including the New Mexico Museum of Art in Santa Fe, The Albuquerque Museum, The Amarillo Museum of Art, The Spiva Center for the Arts in Joplin, Missouri, and the Philadelphia Museum of Art as well as in over 100 gallery exhibitions. At age fifty-five, I feel like I’m closer now to my authenticity than I’ve ever been, but I’m still getting there, and I feel the same way about the work.Easy answers and pristine things don’t interest me. It’s not about salvage or recycling or re-purposing or consumption, or any of those things, and yet all of those things are part of what my practice is.It unburdened me as a maker from having to create meaning. The works keep possession of pleasing formality and visceral elegance while making fun of modernist purity. Introducing salvage materials to my own formally driven abstract sculpture, I hope to bring purist shapes and surfaces back down to earth. Since 2001, Larsen has used alternative and salvage materials in his studio exercises. My history of making has been uninterrupted since that period of time. The work he creates supply commentary on minimalist belief systems and the ultimate importance of High Art practice. Clayton Porter. Ted Larsen (b. This wasn’t my first time visiting Larsen’s studio; we’ve known each other for several years. Ted Larsen’s work is created with minimalist ideas to explore the nature of materiality. I don’t know how to describe it, probably because I want it to be mysterious to me. Long established in the studio practice of both painting and sculpture, Larsen's newest work offers a unique response to overt conversations in art. I don’t relish making mistakes. Actually, I’ve learned way more, on every level, in every possible way, when I’ve made mistakes in my life than I’ve ever learned from my successes. He has had reviews in The New York Times, The Philadelphia Inquirer, The Denver Post, and The Dallas Morning News amongst others. This is a tribute to anti-triumphalism, the spontaneous, nonhierarchical, UN-monumental thematic artistic landscape which offers no specific resolution and no isolation of meaning. My parents are both artists and they moved to Santa Fe when I was 16, 1979. Apr 5, 2016 - Ted Larsen is an internationally exhibited and international award winning artist working in New Mexico. Ted Larsen. Things that are kind of funky and rickety and cobbled together and provisional, that are provocative, are more interesting. And I do sell my work, but that’s not why I make it.
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