(23.5 cm.) Coxon and Hepworth also enrolled in the Royal College. Indeed, the landscape is one which Moore would recall in works throughout his career. London was the goal. The godparents were Jean McNeil and Josephte Guilbeau. Please set all privacy options to continue, Terms of use, cookie policy and copyright, Funerals, memorials and celebrations of life, Weddings and events: available dates and virtual visits, Location hire: filming and photography at Studios & Gardens, Address, map and directions to the Institute, Other exhibitions organised by the Henry Moore Sculpture Trust, List of exhibitions at the Henry Moore Institute, Yorkshire Sculpture International: Tamar Harpaz, Yorkshire Sculpture International: Rashid Johnson, Yorkshire Sculpture International: Maria Loboda, Yorkshire Sculpture International: Cauleen Smith, Yorkshire Sculpture International: Sean Lynch, Phyllida Barlow: Sculpture and Drawings from the Leeds Collection, A Frieze for Leeds: Imagining a Sculptural Façade for Leeds Art Gallery in 1968, Sculpture by Another Name: Tony Carter's 'By Bread Only' (1978-9), Jiro Takamatsu: The Temperature of Sculpture, Ghisha Koenig: Machines Restrict their Movement, Eleanor Antin: 'CARVING: A Traditional Sculpture', The Body Extended: Sculpture and Prosthetics, William Hamo Thornycroft: 'Charity and Justice' (1888), Photographing Sculpture: How the Image Moves the Object, Vladimir and Georgii Stenberg: Construction for a Spatial Structure VI ('KPS6', 1919/73), Dennis Oppenheim: Thought Collision Factories, The Age of Innocence: Replicating the Ideal Portrait in the New Sculpture Movement, Indifferent Matter: From Object to Sculpture, Alberto Giacometti: 'Tête de femme (Flora Mayo)' (c. 1927), Robert Filliou: The Institute of Endless Possibilities, Sturtevant: 'Duchamp Bicycle Wheel' (1969-1973), John McCracken: 'IV' (1985) and 'Neon' (1989), Savage Messiah: The Creation of Henri Gaudier-Brzeska, Dear Henry Moore: Connections and Correspondence, A Rough Equivalent: Sculpture and Pottery in the Post-War Period, Undone: Making and Unmaking in Contemporary Sculpture, Roman To English: The Migration of Forms in Early Northumberland, Out of My Mouth: The 'Photosculptures' of Alina Szapocznikow, Alan Johnston: Drawing a Shadow: No Object, Objects of Contemplation: Natural sculptures from the Qing dynasty, The Developing Process: The sculptor's education in drawings and photography, Subject / Sitter / Maker: Portraits from an eighteenth-century artistic circle, Concrete and Poetry: Drawings for an art museum by Lina Bo Bardi, Box, Body, Burial: The sculptural imagination of Keith Arnatt, Dalou in England: Portraits of Womanhood (1871-1879), Taking Shape: Finding sculpture in the decorative arts, The Object Quality of the Problem: on the Space of Palestine/Israel, Prospects and Interiors: Sculptors' Drawings of Inner Space, Heart of Darkness: Ivory carving and Belgian colonialism, Against Nature: The hybrid forms of modern sculpture, By Leafy Ways: Early works by Ivor Abrahams, Indoors and Out: The Sculpture and Design of Bernard Schottlander, kissingcousins: A fellowship project by Jane Simpson and Sarah Staton, Drawing on Sculpture: Graphic Interventions on the Photographic Surface, Modelling Charlotte Perriand: A Project by Sadie Murdoch, Figuring Space: Sculpture/Furniture from Mies to Moore, Experimental Photography from the Bauhaus Sculpture Workshop, Imi Knoebel: Primary Structures 1966/2006, The New Man: Alfred Gilbert's Heroic Nudes 1882-1895, Paper, Stone, Flesh and Blood: Transforming Views of Sculpture in French Revolutionary Prints, Giorgio Sadotti: From Navels to Nipples Henry Moore, Shaping Modern Sculpture: Stephen Gilbert and Jocelyn Chewett in post-war Paris, Espaço Aberto / Espaço Fechado: Sites for sculpture in modern Brazil, Thomas Woolner: Seeing Sculpture Through Photography, New Acquisitions on Paper: Phyllidia Barlow, Sarah Staton and Cecile Johnson Soliz, Shallow Space - Relief Sculpture from the Collection, Medieval and Modern: Direct Carving in the Work of Gill and Barlach, The Third Campaign: A Project by Neal White, Depth of Field: the place of relief in the time of Donatello, Mother Figure: Modernist Maternities from the Leeds Sculpture Collections, With Hidden Noise: Sculpture, Video and Ventriloquism, My Personal Museum: 'Ego Geometria Sum' from the Helen Chadwick Archive, Other Criteria: Sculpture in 20th Century Britain, Refashioning the Figure: The Sketchbooks of Archipenko, Scultura Lingua Morta: Sculpture From Fascist Italy, A Kind of Magic: Talismans, Charms and Amulets from The British Museum, Model Forms: Sculpture/Architecture in 50s and 60s Britain, Wonder: Painted Sculpture from Medieval England, Changing Face: masks from The British Museum, Catching Some Air: Library Drawings by Bik Van der Pol, Shine: sculpture and surface in the 1920s and 30s, Second Skin: Historical Life Casting and Contemporary Culture, Unidentified Museum Objects: curiosities from The British Museum, The Sculpted Word: inscriptions from the Britsh Museum, Taking Positions: Figurative Sculpture and the Third Reich, Homes for the Soul: Micro-architecture in medieval and contemporary art, Return to Life: a new look at the portrait bust, Robert Morris: Recent Felt Pieces and Drawings. Mrs Tinsley: Administrative Professionals Day 2019, Yorkshire Day: Castleford Through the Ages, Venice 1949: Peggy Guggenheim's Sculpture Garden, The British Pavilion, XXVI Biennale, Venice, 1952, Glen Onwin: Flammable Solid/Flammable Liquid, 1994, When attitudes become form and Op Losse Schroeven, Henry Moore at Leeds School of Art: student notebooks from the Archive, David Nash in Poland: Documents from the Archive of Sculptors' Papers, Ideal Standard Forms: The Influence of Classicism on Modern and Contemporary Sculptors' Drawings, First: A Magazine by Sculpture Students, 1960-1961, Richard Cockle Lucas: The 'Book Monument' and the Art of Self-Memory, Sculpture in the Time of Cholera: William Calder Marshall in Rome 1836-8, Li Yuan-chia and the books of the LYC Museum and Art Gallery, Off the Shelf: Artists' Books in the Henry Moore Institute Research Library, Turning The Pages - Helen Chadwick's notebooks, Turning the Pages - David Dye's notebooks, Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, The Conway Library database of images of twentieth-century British sculpture, Henry Moore: Sculptural Process and Public Identity, Henry Moore Institute Visiting Research Fellowships, Valuing Sculpture: Contemporary Perspectives on Art, Craft and Industry, 1660-1860, A Not Unruffled Surface: Contemporary Sculpture and Dress, Sense - Perception: Sculpture, Drawing and the Influence of Classicism, ORDER‽ Art, Classicism, and Discourse, from 1755 to Today, New Sculptors, Old Masters: The Victorian Renaissance of Italian Sculpture, New Directions in the Study of Medieval Sculpture, You can find a full list of cookies utilised by Google analytics here, You can find a full list of cookies utilised by Hotjar here. Description. He died on August 31, 1986 in Much Hadham, Hertfordshire, England. At Leeds School of Art Moore initially completed the two-year drawing course in one year. In these works such as the present one, he abandoned the naturalistic approach he took in 1944 and 1945 in favor of a more abstracted arrangement of the figural group. 1. Henry Moore was born on July 30, 1898 in Castleford, West Yorkshire, England as Henry Spencer Moore. Your current cookie settings can be changed at any time by changing your Cookie Preferences. In London Moore absorbed as much as possible, not only from his formal training but also from the museums that were now on his doorstep. His forms are generally pierced or contain hollow spaces. His parents struggled and sacrificed to send their kids to school so they wouldn’t have to work with their hands. Mountainville, N. Y. By the age of 11, after a hearig a story about Michelangelo at Sunday school, Moore had decided he wanted to be a sculptor. View Family Group by Henry Moore sold at 20th Century & Contemporary Art Day Sale, Morning Session on New York Auction 16 May 2018. Henry Moore, Family Group(1950) bronze, sited at the entrance to Barclay School, Stevenage, Hertfordshire, England. Select from premium Henry Moore & Family of the highest quality. Born in 1898, Henry Spencer Moore was the seventh of eight children to mining parents who encouraged their children's education. Without these cookies services you have asked for cannot be provided. From his father, a politically active and self-taught miner who read Shakespeare and learnt the violin, Moore gained an appreciation for education. Henri More was born to Henri More and Celeste Fournier on April 28th, 1840 and later baptised in St. Cyprien Parish in Napierville, Quebec on May 2nd, 1840. He was turned down by the Artists' Rifles regiment (the obvious choice) because he was considered too short but eventually he and Houghton were accepted by the Civil Service Rifles and assigned to the 3rd Battalion. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. "The Henry Moore Foundation" is a charity registered in England and Wales (271370), © The Henry Moore Foundation 2020. He studied at Leeds and at the Royal College of Art in London, where he taught sculpture from 1924 to 1931, moving on to Chelsea School of Art till 1939. Harlow Family Group questionnaire: can you help us? During active service in WWI Moore was gassed during the Battle of Cambrai in 1917 and returned to England to convalesce. 'Toddy' Dawes and art teacher Alice Gostick, who nurtured his talent. He was best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Log in to view and edit your purchase history, any on-going grant applictions or update your details and subscription preferences. 1917 Henry Moore aged 19, Private in the 15th London Regiment of the Civil Service Rifles. He could then finally begin to realise his childhood ambition by enrolling on the sculpture course. Family Group (LH 269) is a sculpture by Henry Moore. Henry Spencer Moore OM CH FBA RBS (30 July 1898– 31 August 1986) was an English sculptor and artist. Henry Moore in James Johnson Sweeney, 'Henry Moore', Partisan Review, New York. He is known for his work on A Hundred Years Undergound (1963), Henry Moore (1951) and Masters of Modern Sculpture Part II: Beyond Cubism (1978). Henry's oldest brother, Raymond, was the first of the family to become a schoolteacher and was followed by two of his sisters, Mary and Betty. 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